Posts Tagged 'nathan lane'

Will “The Addams Family” Be Critic Proof?

It was a long time coming, but “The Addams Family” opened last night on Broadway. The reviews are scathing, and the question is: Can a show with millions in pre-sales overcome the critics?

“The Addams Family” took in nearly $1.4 million last week in previews. It was third at the box office behind “Wicked” and “The Lion King.” A new show, not even opened, such a hit? It’s never happened before.

You could see why at last night’s premiere. Stars Nathan Lane and Bebe Neuwirth were met with adulatory applause from an audience that was part celebrity and part real people. Among the stars who showed: Matthew Broderick (with a bodyguard no less) plus Bob and Lynne Balaban, Nora Ephron and Nick Pileggi, Kathie Lee Gifford, Hoda Kodb, Tony Roberts, Tova Feldshuh, and “Ray” director Taylor Hackford.

The crowd loved the show, as did the “real” audience I saw it with a couple of weeks ago. But “The Addams Family” is taking a drubbing from theater critics. And they’re right. The show is a mess, from top to bottom. The songs by Andrew Lippa are so awful that one of them includes a comedy line about “Schindler’s List.” Ouch! What was Lippa thinking? The songs do nothing to drive the story along; many of them are just self contained, with terrible lyrics. A couple of them sound like Meat Loaf’s cast offs.

And then there’s the script: it is baffling how this slight plot line mirrors a movie in which Nathan Lane once starred: “The Birdcage.” In this version, Wednesday Addams is now more Marilyn Munster, the “normal” member of an odd family. She wants to marry a normal boy and so invites his normal family to dinner. Sound familiar? Soon this conservative Ohio couple (Terrance Mann, Carolee Carmello) are loosening up and getting wild.

“The Addams Family” grinds to a halt somewhere in there. I particularly objected to the constant references to death and love of it; the Addamses are obsessed with it, but nothing explains why or who they are. And in this version, their mansoleum of a mansion is planted in Central Park. Huh? Cousin It is seen in passing, and Grandmama (Jackie Hoffman) is the most annoying character on Broadway in many seasons.

But still: the audience wants to see this show. It various flaws will matter not, I think, to the average theatergoer. No Tony’s for the show, book or score unless the committee takes one of Grandmama’s potions before voting. But the actors will be nominated, and that should give it some help. My guess is “The Addams Family” runs for as long as Lane and Neuwirth can stand it, or need the paycheck.

And they are the pleasures of seeing the show. Lane is full of shtick. Neuwirth is quintessential Morticia even though they haven’t given her enough to do. You really have to wait into Act 2 to see Neuwirth, the former star of “Chicago,” show her stuff. She’s worth the price of admission.

Addams Family Pre-Bway Opening A Smash

The Broadway musical version of “The Addams Family” is a smash.

Last week, in previews, “The Addams Family”  had the second highest gross with $1,192,213–finishing just behind “Wicked” at #1 and just ahead of “The Lion King.” It hasn’t even opened, but the musical is doing business equal to those shows as well as  “Jersey Boys” and “Billy Elliot.”

Some theatre wags are thinking, Hurry, take in as much as you can. Because once the show opens on April 8th, all may change.

Indeed, “The Addams Family” has been plagued by problems. The pair of original directors was replaced by Jerry Zaks, even though the duo’s names are still in Playbill. Zaks remains a ghost-director.

Numbers have been cut, added, reworked, and moved around to try and help stars Nathan Lane and Bebe Neuwirth make sense of their roles as Gomez and Morticia Adams.

Many theatergoers are wondering what exactly is up with Lane, who’s playing Gomez with a terrible and unnecessary Spanish accent. Lane, they say, has trouble lighting a fire with steamy Neuwirth. Remember: Gomez and Morticia always had a sexy relationship.

Neuwirth, on the other hand, is hot. And a new number added for her toward the end, a with a tango dance, finally shows off her dancer’s legs. Previously she spent the show dressed head to toe in Morticia’s trademark black shroud.

Broadway is rooting for “The Addams Family” for one good reason. If it’s a dud upon arrival, then “Memphis” becomes the default Best Musical of 2010. Yikes! This has been a great year for plays but a bad one for original musicals. All the talk has been about revivals like “A Little Night Music.”

Insiders who’ve seen “The Addams Family” tell me it needs to be more like the TV show or the movie, and less about death. “There’s a lot of talk about death,” said one ticket holder. “Too much.” The good news is that the role of Grandmama, played by Jackie Hoffman, may get softened some more. No one who’s seen the show has liked poor Grandmama’s coarse bathroom humor.

Fans of the show will be surprised, I am told, to see little Wednesday Addams grown up old enough to be in a kind of “Birdcage” scenario with the son of a “normal” couple played by Terrence Mann and Carolee Carmello. The latter pair are, at the same time, sort of like Brad and Janet from “Rocky Horror.”

On the plus side: there’s lots of praise for the set. But they still need to add, apparently, Lurch’s pull cord in the living room. And these immortal words: “You rang?”